The melody gracefully unfolds across a rounded binary form as the piece progresses. In the plaintive key of C-sharp minor, the voice weaves its melancholy and longing melody over a slowly descending bass and a pulsing accompaniment of chords. Fauré and Stravinsky both composed their own songs without words, but it is Rachmaninoff’s 1912 composition that is the vocalise for many admirers of his work and classical music in general. However, a few composers of the early 20 th century, searching for new means of expression, found in the vocalise all the potential of a blank canvas. While the étude underwent a radical transformation during the 19 th century that began with Frédéric Chopin, the vocalise did not. In technical terms, the vocalise is to song much in the same way the étude is to a piano piece, and its history dates back to the mid-18 th century. Sergei Rachmaninoff’s Vocalise is one of his most beloved and well-known creations-a piece that has taken on a life and reputation separate from its thirteen companion pieces that make up the composer’s Fourteen Songs, op.
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